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The First Few Pages

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Estrogen should be known harmful effects directed at price fluoxetine usa. glumetza gas. go to link. and women from mothers. If you procrastinate There’s an awful lot of advice on the internet and in craft-of-writing books, from revered writers and craft teachers about getting the first few pages right.

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If you sweat madly over your first pages, trying desperately to get it right — or worse, perfect — when all you’ve got is five pages (or fewer) of your story, it’s probably the surest way to kill your story enthusiasm. You’re likely never to get beyond a five page manuscript.

The thing is, some lucky writers get the first line, and the first few pages perfect from the very start; the rest of us have to work much harder. For me, the start of the book almost always comes hard, and I’m almost always half way through the story before I work out what I need the opening pages to achieve. Sometimes the beginning is the last thing I write. Once I know my character’s journey and how it ends, I know what I need to set up at the start.

So if you’re just starting on your first novel, or if you’re a pantser,  try just diving in to your story from wherever it starts in your mind. Know that this beginning probably won’t end up as the final opening pages — but you haven’t written enough of the story yet to know what the  start should be doing. Just write madly while your enthusiasm for the story idea is driving you, until you run out of steam. And know that this is just a first draft, so anything goes. 

You need to be free to write whatever comes to you, without thinking about the market, or craft-of-writing advice, or what readers might think. Forget the rules, just plunge in to the story. 

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I used to read a lot of first manuscripts (I don’t now — no time) and one thing that popped up again and again is that often, for the first three chapters or so, the writer was writing their way into the story world of the character, learning about the characters, creating the world of the story, learning and describing backstory, and falling in love with the story. But their real story actually started in chapter four.

This is NOT a bad thing — you need to do all that work in finding out who your characters are, and where the story takes place, and play with various possibilities. So go ahead and write them.

Once your story is spinning and you have the plot taking off, and you know who your people are, you have something to work with — like a potter who’s dug the clay, taken out all the stones, then processed it until it’s smooth and a rough shape has emerged. You have your raw material.

Then you can decide where the best place to start might be. A suggestion often made is to start at the point of change for the main character — where something happens to cause him or her to take action of some kind, for their life to have to change.

Think about your story and work out what you need to set up. Considering some of the following:

a) What’s the best, most effective and interesting way readers could meet your main character(s)? 

b) What do you want to show about your character(s)? What first impression do you want readers to get of them?

c) What story questions or intrigue do you want to plant in your reader’s mind?

So don’t sweat the first few pages  or that brilliant first line — just write. Some writers refer to their early draft as the discovery draft. That comes first. Crafting a brilliant opening comes later, in some case, much later.

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Jay Hicks
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Jay Hicks

Brilliant post Anne. Thanks for sharing your hard earned advice. It’s cautionary and yet, inspirational at the same time.

Anne Gracie
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Anne Gracie

Thanks, Jay — my aim is to be helpful. :)

Kate Mitchell
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Kate Mitchell

And this is why I read your articles. . . Thank you Anne for telling me what I needed to hear! n

Anne Gracie
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Anne Gracie

Thanks, Kate — not everyone has trouble with the opening scene, but all I really mean is don’t worry too much about it. Writing is rewriting. Best of luck.